Green – Kannada Movie Review.

Green, directed by Raj Vijay, is an ambitious psychological thriller that tries to break away from conventional Kannada cinema. The film dives deep into the complex relationship between man, mind, and nature, portraying fear and trauma as internal battles rather than external threats. Set largely in a forest, Green uses its environment not just as a backdrop but as a reflection of the protagonist’s state of mind. The director’s vision is clear, to create a film that challenges the audience to think and feel beyond the usual thrills. His attempt to balance artistic storytelling with commercial appeal is evident, though not always successful.

The film’s biggest strength lies in its technical brilliance. Cinematographer K. Madhusudan captures the forest and its eerie silences with haunting beauty, using light and shadows to intensify the mood. The background score by Shakthi Sak perfectly complements the visual tone, often heightening the tension without overpowering the scenes. Every rustle of leaves and whisper of wind adds to the immersive experience. Raj Vijay, who comes from a VFX and animation background, ensures that Green looks polished and detailed, setting a new visual standard for Kannada thrillers in terms of craft and sound design.

Performances are another strong aspect of Green. Gopalkrishna Deshpande shines as Mayanna, the central character battling his inner demons. His subtle expressions and controlled performance give depth to the role, making the audience feel his fear and confusion without exaggerated emotion. Balaji Manohar as an army officer and RJ Vikki in a challenging role bring intensity and unpredictability to the narrative. Dimpy Fadhya, though seen briefly, adds emotional warmth to the otherwise tense atmosphere. Together, the cast ensures that the film feels grounded despite its psychological complexity.

However, Green struggles to maintain its grip as the story progresses. The first half is engaging, filled with mystery and intrigue, but the second half loses direction. The narrative becomes too abstract and symbol heavy, making it difficult for viewers to stay emotionally invested. Certain scenes feel stretched, and the screenplay could have benefited from tighter editing. The writing aims for depth but sometimes ends up confusing the audience instead. This imbalance between artistic ambition and storytelling clarity prevents Green from reaching its full potential.

In the end, Green stands out for its courage and creativity more than its storytelling. Raj Vijay deserves appreciation for attempting something visually rich and emotionally layered in Kannada cinema. Despite its flaws, the film leaves an impression with its atmosphere, technical finesse, and strong performances. Green may not appeal to everyone, especially those expecting a fast paced thriller, but for viewers who enjoy slow, thoughtful, and symbolic storytelling, it is a rewarding experience.

Rating – 3/5.