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Interval (2025) – Movie Review Rating: ⭐⭐⭐ (3/5)

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Bharath Varsha’s Interval is a Kannada comedy-drama that follows three childhood friends—Ganesh S (Shashi Raj), Ganesh U (Prajwal Kumar Gowda), and Ganesh T (Suresh Suki)—as they leave their small village in search of better opportunities in the city. The film starts off slow, relying on regular comedy scenes that take time to establish the characters and their world. However, as the story progresses, it finds its rhythm, blending humor and drama effectively to depict the trio’s struggles and aspirations. The camaraderie between the leads feels natural, and their transition from rural simplicity to urban chaos is portrayed with a mix of lighthearted moments and realistic challenges.

One of the film’s biggest strengths is its dialogues. They serve as a major highlight, with some well-synced with contemporary comedy and others carrying a hard-hitting emotional impact. The screenplay benefits from these moments, keeping the audience engaged even when the story slows down. Vikash Vasishta’s music further elevates the emotional beats, complementing the film’s tone.

However, while the first half eventually picks up momentum, the second half struggles to maintain the same energy. The narrative loses steam, and the conflicts introduced earlier don’t evolve as effectively as they could have. The emotional quotient in the latter half works to an extent, adding depth to the characters’ journeys, but the climax falls short of delivering a truly satisfying conclusion. Predictability creeps in, making the resolution feel somewhat underwhelming. Despite its flaws, Interval remains an engaging watch with its strong dialogues, relatable characters, and moments of humor and emotion. While it may not be groundbreaking, it is a decent choice for those who enjoy friendship-driven dramas with a mix of comedy and sentiment.

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Bharath Varsha’s Interval is a Kannada comedy-drama that follows three childhood friends—Ganesh S (Shashi Raj), Ganesh U (Prajwal Kumar Gowda), and Ganesh T (Suresh Suki)—as they leave their small village in search of better opportunities in the city. The film starts off slow, relying on regular comedy scenes that take time to establish the characters and their world. However, as the story progresses, it finds its rhythm, blending humor and drama effectively to depict the trio’s struggles and aspirations. The camaraderie between the leads feels natural, and their transition from rural simplicity to urban chaos is portrayed with a mix of lighthearted moments and realistic challenges.

One of the film’s biggest strengths is its dialogues. They serve as a major highlight, with some well-synced with contemporary comedy and others carrying a hard-hitting emotional impact. The screenplay benefits from these moments, keeping the audience engaged even when the story slows down. Vikash Vasishta’s music further elevates the emotional beats, complementing the film’s tone.

However, while the first half eventually picks up momentum, the second half struggles to maintain the same energy. The narrative loses steam, and the conflicts introduced earlier don’t evolve as effectively as they could have. The emotional quotient in the latter half works to an extent, adding depth to the characters’ journeys, but the climax falls short of delivering a truly satisfying conclusion. Predictability creeps in, making the resolution feel somewhat underwhelming. Despite its flaws, Interval remains an engaging watch with its strong dialogues, relatable characters, and moments of humor and emotion. While it may not be groundbreaking, it is a decent choice for those who enjoy friendship-driven dramas with a mix of comedy and sentiment.

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